Sometimes Dreams May Come True

On Body and Soul (2017), Hungary, directed by Ildikò Enyedi. Reviewed by Dr Franco Ferrarini Whereas defining ‘Body’ should be straightforward, the same literal approach may not apply to defining ‘Soul’. Soul may be defined in strictly religious terms (i.e. an immaterial entity, considered immortal by some creeds, which leaves the body at death) or as […]

Read More…

Talk to Her: Deconstructing Taboos in Arab cinema

Egyptian pioneer film director Enas El-Dighade in conversation with Medical Humanities film and media correspondent, Khalid Ali 2017 was a significant year for women worldwide. The #MeToo and #Timesup campaigns caught international media attention by emphatically stating that injustice and discrimination against women can no longer be met with a blind eye. Women who publicly spoke about […]

Read More…

Transcending boundaries and checkpoints

Muhi- Generally Temporary (By A Thread), directed by Rina Castelnuovo-Hollander and Tamir Elterman, London Human Rights Watch Film Festival, Barbican, 11 and 12 March 2018 We present a guest review by Professor Robert Abrams, Weill Cornell University, New York. The film will screen in both Toronto and New York. In the opening scene of Muhi- […]

Read More…

Silent Rage

Review of Wrath of Silence directed by Xin Yukun, China 2017 Screened at London Film Festival 2017, seeking UK distribution in 2018 Review by Professor Robert Abrams, Weill Cornell Medical College, New York Wrath of Silence, an ‘indie’ film from China tells a painful story.  It is filled with starkly incompatible ideas and images, juxtaposing […]

Read More…

Cinema, Memory and Wellbeing in Brazil

This blog post comes from Dr Lisa Shaw, Reader in Brazilian Studies at the University of Liverpool. She is author of Popular Cinema in Brazil (Manchester UP, 2004) and Brazilian National Cinema (Routledge, 2007), both with Stephanie Dennison, and The Social History of Brazilian Samba (Ashgate, 1999) and Carmen Miranda (BFI-Palgrave Macmillan). She appears in the BBC4 […]

Read More…

Sex, Lies and Razor-Blades

  Review of The Wound (Inxeba), directed by John Trengove, South Africa Winner of the best first feature film award, London Film Festival 2017 Opening film for Film Africa Festival, London, 27th October, Recently Lesbian, Gay, Bisexual and Transgender (LGBT) issues have been the subject of heated debate in South Africa. While South Africa remains […]

Read More…