The Screening Room: The Aftermath of Stroke

  Building bridges: two films about self-discovery after stroke Dr Khalid Ali   Two recent films portray the aftermaths of stroke from different viewpoints: that of a stroke survivor in My Beautiful Broken Brain (UK 2016, directed Lotje Sodderland and Sophie Anderson, currently showing on Netflix) and that of the daughter of a stroke survivor in You See Me […]

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The Reading Room: ‘Making Medical Knowledge’

  Making Medical Knowledge By Miriam Solomon Oxford University Press, 2015   Reviewed by Dr Jonathan Fuller, University of Toronto   We should forgive anyone unfamiliar with recent trends in ‘scientific medicine’ for thinking that within scientific medicine there are now multiple medicines to choose from: evidence-based medicine (EBM), translational medicine, narrative medicine, personalized medicine, […]

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The Reading Room: ‘Deaf Gain’

  Deaf Gain: Raising the Stakes for Human Diversity H-Dirksen L. Bauman and Joseph J. Murray, Editors University of Minnesota Press, 2014   Reviewed by Dr Paul Dakin, GP Trainer in North London with research interest in the representation of d/Deaf people   This book challenges the commonly held notion that deafness is an existence […]

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Khalid Ali: ‘Let’s talk about death: a review of ‘Last cab to Darwin’, Australia 2015’

Let’s talk about death: a review of ‘Last cab to Darwin’, Australia 2015 5*, Directed by Jeremy Sims based on stage play by Reg Cribb Dubai International Film Festival (DIFF) December 2015, possible release in UK cinemas 2016/17 The controversial subject of ‘euthanasia and assisted suicide’ has been a rich source for films; ‘Whose life […]

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Franco Ferrarini: The Past: a Friend or Foe? Different Perspectives from ‘Spectre’ and ‘45 years’.

The Past: a Friend or Foe? Different Perspectives from ‘Spectre’ and ‘45 years’. Spectre- directed by Sam Mendes, UK, 2015 45 years- directed by Andrew Haigh, UK, 2015 By Franco Ferrarini, Gastroenterologist and film reviewer In the words of the French philosopher Henri Bergson: ‘The pure present is an ungraspable advance of the past devouring […]

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