{"id":1844,"date":"2019-02-22T10:00:31","date_gmt":"2019-02-22T09:00:31","guid":{"rendered":"https:\/\/blogs.bmj.com\/medical-humanities\/?p=1844"},"modified":"2023-04-21T10:31:55","modified_gmt":"2023-04-21T09:31:55","slug":"cinema-bellissimo-italian-cinema-in-london-2019","status":"publish","type":"post","link":"https:\/\/blogs.bmj.com\/medical-humanities\/2019\/02\/22\/cinema-bellissimo-italian-cinema-in-london-2019\/","title":{"rendered":"Cinema Bellissimo: Italian Cinema in London 2019"},"content":{"rendered":"

Review by Dr Khalid Ali, film and media correspondent <\/strong><\/p>\n

\"\"
A still from \u2018The bicycle thief\u2019 (Vittorio De Sica, 1948).<\/figcaption><\/figure>\n

Italian cinema has always had a special place in world cinema; the neo-realist wave of film-making led by directors Federico Fellini, Luchino Visconti, and Roberto Rossellini told stories of the Italian working-class facing poverty, social injustice and oppression. Classic films like \u2018The bicycle thief\u2019 (Vittorio De Sica, 1948) warmed the hearts of European and international audiences alike. Iconic legends Sophia Loren and Marcello Mastroianni acting together in films such as \u2018Yesterday, today and tomorrow\u2019 (Vittorio De Sica, 1963), \u2018Marriage Italian style\u2019 (Vittorio De Sica, 1964), and \u2018A special day\u2019 (Ettore Scola, 1977) enjoyed rapturous worldwide reception. Modern classics \u2018Cinema Paradiso\u2019 (Giuseppe Tornatore, 1988), and \u2018Life is beautiful\u2019 (Roberto Benigni, 1997) continued the reign of Italian cinema in international circuits.<\/p>\n

 <\/p>\n

\"\"
Poster of \u2018Cinema Paradiso\u2019 (Giuseppe Tornatore, 1988).<\/figcaption><\/figure>\n

In its ninth edition, \u2018Cinema made in Italy\u2019 brings the magic of Italian cinema to London by screening ten superb films from 26th<\/sup> February to 3rd<\/sup> March:\u00a0https:\/\/www.british-italian.org\/cinema-made-in-italy-2019\/<\/a>.<\/p>\n

Watch the trailer on Youtube: https:\/\/www.youtube.com\/watch?time_continue=24&v=Awsx6Bywo9M<\/a>.<\/p>\n

The program showcases the best of contemporary Italian cinema spearheaded by new voices and talent alongside established auteurs.<\/p>\n

Human suffering from mental illness and alcohol addiction is the heart-breaking core of \u2018Wherever you are\u2019 (Bonifacio Angius); a road journey travelled by a middle aged alcoholic man trying to save a woman and her young son from a bleak future. The last shot of this beautiful film portraying \u2018peer support between patients, empathy, and sacrifice\u2019 is a master scene that will linger in the hearts and minds of viewers for a long time.<\/p>\n

Dealing with terminal illness and how family members face up to or pretend to ignore the impending death of a loved one is the theme of Valeria Golino\u2019s poignant drama \u2018Euforia\u2019. The life of a school teacher is in turmoil after a diagnosis of a \u2018brain cyst\u2019; his mother, brother, wife, son and mistress all deal with that \u2018diagnosis\u2019 in a different way.<\/p>\n

Italian politics, organizational corruption, and the alienation of the middle classes are seen in three films: \u2018Loro\u2019 (Paolo Sorrentino) follows the media tycoon and Prime Minister Silvio Berlusconi and his entourage between 2006\u2013<\/span>2009, \u2018Lucia\u2019s grace\u2019 (Gianni Zanasi) tells the story of a land surveyor facing corrupt local government using non-orthodox methods, while \u2018The man who bought the moon\u2019 (Paolo Zucca) adopts a satirical approach to explore an unlikely friendship between two men from the village of Sardinia.<\/p>\n

Love and its shenanigans in contemporary Italy are seen in three films: \u2018Ricordi\u2019 (Valerio Mieli), \u2018The guest\u2019 (Duccio Chiarini), and \u2018We\u2019ll be young and beautiful\u2019 (Letizia Lamartire). Each film explores a different form of love: romantic, platonic and filial.<\/p>\n

The legacy of the late director Bernardo Bertulocci is remembered through his film \u2018The conformist\u2019 (1970); a story weaving childhood trauma, drug addiction, mental illness and criminal tendencies with a backdrop featuring the art and d\u00e9cor of Mussolini\u2019s fascist era.<\/p>\n

One of the festival highlights, a must-see for cinephiles is \u2018Notti Magiche-Magical nights\u2019; described by Adrian Wootton (programmer and artistic director of the festival) as \u201cPaolo Virzi\u2019s wonderfully playful and affectionate movie-movie satire gleefully looks back at the last glory days of classic Italian cinema\u201d.<\/p>\n

If you are looking for a different, thought-provoking type of film, whether that is drama, comedy, or a political thriller, \u2018Cinema made in Italy\u2019 can definitely satisfy your taste.<\/p>\n

Recommended Reading <\/strong><\/p>\n

    \n
  1. Italian neorealism cinema: https:\/\/en.wikipedia.org\/wiki\/Italian_neorealism<\/a>.<\/li>\n
  2. Like crazy-film review: https:\/\/blogs.bmj.com\/medical-humanities\/2018\/07\/19\/at-a-closer-look-nobody-is-normal\/<\/a>.<\/li>\n<\/ol>\n

    <\/p>\n","protected":false},"excerpt":{"rendered":"

    Review by Dr Khalid Ali, film and media correspondent Italian cinema has always had a special place in world cinema; the neo-realist wave of film-making led by directors Federico Fellini, Luchino Visconti, and Roberto Rossellini told stories of the Italian working-class facing poverty, social injustice and oppression. Classic films like \u2018The bicycle thief\u2019 (Vittorio De […]<\/p>\n

    Read More…<\/a><\/p>\n","protected":false},"author":345,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15032,206,15025],"tags":[15099],"class_list":["post-1844","post","type-post","status-publish","format-standard","hentry","category-arts-in-medicine","category-film","category-reviews","tag-film-review"],"yoast_head":"\nCinema Bellissimo: Italian Cinema in London 2019 - Medical Humanities<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.bmj.com\/medical-humanities\/2019\/02\/22\/cinema-bellissimo-italian-cinema-in-london-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cinema Bellissimo: Italian Cinema in London 2019 - Medical Humanities\" \/>\n<meta property=\"og:description\" content=\"Review by Dr Khalid Ali, film and media correspondent Italian cinema has always had a special place in world cinema; the neo-realist wave of film-making led by directors Federico Fellini, Luchino Visconti, and Roberto Rossellini told stories of the Italian working-class facing poverty, social injustice and oppression. 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