{"id":1470,"date":"2018-03-22T14:00:05","date_gmt":"2018-03-22T13:00:05","guid":{"rendered":"https:\/\/blogs.bmj.com\/medical-humanities\/?p=1470"},"modified":"2018-03-20T16:02:03","modified_gmt":"2018-03-20T15:02:03","slug":"talk-to-her-deconstructing-taboos-in-arab-cinema","status":"publish","type":"post","link":"https:\/\/blogs.bmj.com\/medical-humanities\/2018\/03\/22\/talk-to-her-deconstructing-taboos-in-arab-cinema\/","title":{"rendered":"Talk to Her: Deconstructing Taboos in Arab cinema"},"content":{"rendered":"<p><em>Egyptian pioneer film director Enas El-Dighade in conversation with<\/em>\u00a0Medical Humanities <em>film and media correspondent,\u00a0Khalid Ali<\/em><\/p>\n<figure id=\"attachment_1471\" aria-describedby=\"caption-attachment-1471\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1471 size-medium\" style=\"font-size: 1rem\" src=\"https:\/\/blogs.bmj.com\/medical-humanities\/files\/2018\/03\/Enas-picture-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/blogs.bmj.com\/medical-humanities\/files\/2018\/03\/Enas-picture-300x300.jpg 300w, https:\/\/blogs.bmj.com\/medical-humanities\/files\/2018\/03\/Enas-picture-150x150.jpg 150w, https:\/\/blogs.bmj.com\/medical-humanities\/files\/2018\/03\/Enas-picture.jpg 310w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-1471\" class=\"wp-caption-text\">Enas Al Dighade<\/figcaption><\/figure>\n<p>2017 was a significant year for women worldwide. The #MeToo and #Timesup campaigns caught international media attention by emphatically stating that injustice and discrimination against women can no longer be met with a blind eye. Women who publicly spoke about their se<span style=\"font-size: 1rem\">xual harassment in the Hollywood film industry were hailed by <\/span><em style=\"font-size: 1rem\">Time<\/em><span style=\"font-size: 1rem\"> magazine as the personality of 2017, \u2018the silence breakers\u2019.<\/span><\/p>\n<p>Women\u2019s voices demanding justice in Hollywood are a timely reminder to reflect on the journey of pioneer women from the Arab world who \u2018broke the silence\u2019 back in the 80s. One of those women is the Egyptian director<span style=\"font-size: 1rem\">\u00a0Enas El Dighade. After graduating from the Higher Institute of Performing Arts, and working for ten years as an assistant director, Enas directed her first film, <\/span><em style=\"font-size: 1rem\">Apologies to the Law<\/em><span style=\"font-size: 1rem\">, in 1985. In that film, Enas challenged the double legal standards prevalent in Arab society where a man is spared a prison sentence if he committed \u2018honour killing\u2019 while a woman is imprisoned if she kills her husband in similar circumstances.\u00a0 That landmark film was the catalyst behind changing the discriminatory law in Syria and Lebanon. Enas states that: \u2018Unfortunately that law is still enforced in Egypt. It was discussed twice in the Egyptian Parliament, but still not amended\u2019.<\/span><\/p>\n<p>Enas went on to tackle several social taboos and cases of abuse of women in subsequent films. <em>Time of Prohibition\u00a0<\/em>(1988) exposed drug addiction amongst medical students,\u00a0 <em>The Killer<\/em> (1991) analysed the root causes for gender-based and domestic violence, <em>Cheap Meat<\/em> (1995) denounced underage marriage, and <em>Diary of a Teen Aged Girl<\/em> (2001) discussed sexual relationships outside of wedlock.<\/p>\n<p>El Dighade rejects the assumption that all her films are women-centric; \u2018My films are a portrayal of the lived injustices against men and women. I never campaigned for better alimony pay for women or any other financial gains. I was driven by the social and cultural baggage in some parts of the Arab world where attitudes and practices are mostly anti-women; a woman is perceived to be a soulless creature that is not entitled to any human rights. A woman is solely disadvantaged by the fact that she is a woman, and is expected to sacrifice her wellbeing and happiness for others, and even be accountable for others\u2019 wrong doings. I am also intrigued by the relationship between men and women in its appealing dimensions of love and kindness, as well as by its repulsive aspects in cases of abuse and discrimination.\u2019<\/p>\n<p>Always a swimmer against the tide, Enas argues that \u2018women rights\u2019 is a misnomer; \u2018Women\u2019s issues are much more complicated than material rights. It is about social justice and fairness, and women being reco<span style=\"font-size: 1rem\">gnised as having an equal identity to men with shared duties and responsibilities.&#8217; Enas attributes some of the prevalent practices against women to economic and political reasons; \u2018One cannot dismiss the economic impact of the free market that befell Egypt in the mid 80s. At that time, the image of the leading star changed to glamorize criminals and thugs who were always men. Slang language became the new vocabulary of film. Furthermore, sensitive subjects such as polygamy, explored and challenged in my films <\/span><em style=\"font-size: 1rem\">One Woman is Not Enough<\/em><span style=\"font-size: 1rem\">\u00a0(1990), and <\/span><em style=\"font-size: 1rem\">Lace<\/em><span style=\"font-size: 1rem\"> (1998) were guaranteed to upset some men. Some of my films were savagely butchered by extreme critics, but at the same time they were warmly welcomed by public audiences of both sexes. I tried to tackle hard-hitting subjects such as rape, and gender-based violence in <\/span><em style=\"font-size: 1rem\">The Killer<\/em><span style=\"font-size: 1rem\">, subjects that are still explored in today\u2019s cinema as evident by the Oscar-winning film, <\/span><em style=\"font-size: 1rem\">Three Billboards Outside Ebbing, Missouri<\/em><span style=\"font-size: 1rem\">.&#8217;\u00a0<\/span><\/p>\n<p>While her films remain compelling social documents to this day, Enas relishes the fact that she is a big believer in the magic of film: \u2018Films are powerful entertainment vehicles as well. A film such as <em>The Greatest Showman<\/em> can act as a potent antidepressant with its uplifting music and charm.\u2019<\/p>\n<p>The staunch director wants to explore more \u2018off-limit\u2019 subjects; \u2018There are still taboos that warrant our attention and exposure in film such as legalizing prostitution, pre-marriage sexual experimentation, and incest.\u2019 She denies stirring controversy for the sake of publicity; \u2018A sound state of health and wellbeing of individuals and societies cannot be reached unless we talk openly a<span style=\"font-size: 1rem\">bout the darkest corners of the human being.<\/span><span style=\"font-size: 1rem\">\u2019\u00a0<\/span><!--TrendMD v2.4.8--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Egyptian pioneer film director Enas El-Dighade in conversation with\u00a0Medical Humanities film and media correspondent,\u00a0Khalid Ali 2017 was a significant year for women worldwide. The #MeToo and #Timesup campaigns caught international media attention by emphatically stating that injustice and discrimination against women can no longer be met with a blind eye. Women who publicly spoke about [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/blogs.bmj.com\/medical-humanities\/2018\/03\/22\/talk-to-her-deconstructing-taboos-in-arab-cinema\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":317,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206,15022],"tags":[],"class_list":["post-1470","post","type-post","status-publish","format-standard","hentry","category-film","category-interviews"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Talk to Her: Deconstructing Taboos in Arab cinema - Medical Humanities<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.bmj.com\/medical-humanities\/2018\/03\/22\/talk-to-her-deconstructing-taboos-in-arab-cinema\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Talk to Her: Deconstructing Taboos in Arab cinema - Medical Humanities\" \/>\n<meta property=\"og:description\" content=\"Egyptian pioneer film director Enas El-Dighade in conversation with\u00a0Medical Humanities film and media correspondent,\u00a0Khalid Ali 2017 was a significant year for women worldwide. 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