{"id":1463,"date":"2018-03-12T21:47:41","date_gmt":"2018-03-12T20:47:41","guid":{"rendered":"https:\/\/blogs.bmj.com\/medical-humanities\/?p=1463"},"modified":"2019-08-09T15:52:36","modified_gmt":"2019-08-09T14:52:36","slug":"transcending-boundaries-and-checkpoints","status":"publish","type":"post","link":"https:\/\/blogs.bmj.com\/medical-humanities\/2018\/03\/12\/transcending-boundaries-and-checkpoints\/","title":{"rendered":"Transcending boundaries and checkpoints"},"content":{"rendered":"

\"\"<\/p>\n

Muhi- Generally Temporary (By A Thread), directed by Rina Castelnuovo-Hollander and Tamir Elterman, London Human Rights Watch Film Festival, Barbican, 11 and 12 March 2018<\/strong><\/p>\n

We present a guest review by Professor Robert Abrams, Weill Cornell University, New York. The film will screen in both Toronto and New York.<\/a><\/p>\n

In the opening scene of Muhi- Generally Temporary (By A Thread)<\/u>, a critically-ill young infant from Gaza is allowed into Israel through the Palestinian checkpoints for emergency medical treatment.\u00a0 From there, the scene shifts to show that the child, Muhi, is now a four-year-old boy whose rare autoimmune disease has required, in order to save his life, a quadruple amputation\u2014both legs, both arms. [Link to trailer<\/a>]<\/p>\n

At least one part of the film\u2019s initially puzzling title\u2014\u201cby a thread\u201d– becomes clear almost at once. We see that Muhi (an affectionate diminutive for Muhammed) has become a de facto long-term resident of the Tel Hashomer hospital in Israel because his native Gaza has no advanced medical care.\u00a0 This young quadruple amputee is cared for by warm-hearted staff and looked after by his doting grandfather, Abu Naim. \u00a0But Abu Naim has been denied a work permit in Israel or even to leave the hospital grounds.\u00a0\u00a0 \u00a0Muhi bounds down hospital corridors on his new prostheses and passes his 5th<\/sup>, 6th<\/sup> and 7th<\/sup> birthdays. Not only is his own survival still medically precarious, he is also hanging by the thread of his grandfather\u2019s life.<\/p>\n

But will Muhi ever be securely reunited with his mother, who pines for him and he for her? Muhi\u2019s mother has a large family of other young children at home in Gaza, but the real barriers to her visiting Muhi are the formidable and contradictory requirements of 3 border checkpoints\u2014that of Hamas, Fatah and Israel. So Muhi\u2019s mother cannot readily manage to see him, and his grandfather may never be allowed to return to Israel if he visits his family in Gaza. Then there is the central oxymoronic twist to the story: As the main part of the title suggests, this family is trapped in a temporary situation with every expectation of its becoming \u201cgeneral,\u201d which is to say, permanent.<\/p>\n

A deep divide exists between the abundance of love inside the hospital, and the outside world where anti-humanitarian forces operate at every turn.\u00a0 The love comes from Muhi\u2019s mother and grandfather and also the Israeli staff, in particular a kindly Jewish volunteer at the hospital, Buma. The cruelty derives from the Israeli government\u2019s harsh bureaucracy on one hand, and the unending internecine warring of Hamas and Fatah on the Palestinian side. A great irony is that as a consequence of hatred and division, Muhi grows up speaking both Hebrew and Arabic and can recite the traditional prayers of both Jews and Muslims.<\/p>\n

One of the joys of the film was watching the exchanges between Muhi and his grandfather and between Muhi and Buma.\u00a0 Muhi asks them the hard questions that children do, pleading to know why he has lost his arms, his legs, and especially his fingers; or how it is that some of us must be soldiers; and other unanswerable enigmas. Why this, why that? But Abu Naim and Buma can be protectively evasive, too.\u00a0 They don\u2019t tell the little boy that the frightening sounds heard overhead are those of missiles. They find ways to allow Muhi to mourn the loss of his limbs, normalize his disability, praise him and love him.<\/p>\n

At many points this film is almost unbearably sad to watch, set against an unpromising background of catastrophes past and present, personal and political.\u00a0 But it is also filled with rewards. \u00a0Within it are wonderful demonstrations of the humanity that transcends boundaries and checkpoints, of the healing power of parental love, and inspired child-rearing conducted against all odds.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Muhi- Generally Temporary (By A Thread), directed by Rina Castelnuovo-Hollander and Tamir Elterman, London Human Rights Watch Film Festival, Barbican, 11 and 12 March 2018 We present a guest review by Professor Robert Abrams, Weill Cornell University, New York. The film will screen in both Toronto and New York. In the opening scene of Muhi- […]<\/p>\n

Read More…<\/a><\/p>\n","protected":false},"author":346,"featured_media":1467,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[206,15025],"tags":[15037,15063],"class_list":["post-1463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-reviews","tag-film","tag-review"],"yoast_head":"\nTranscending boundaries and checkpoints - Medical Humanities<\/title>\n<meta name=\"description\" content=\"Robert Abrams reviews the film Muhi- Generally Temporary (By A Thread) for the Medical Humanities blog.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.bmj.com\/medical-humanities\/2018\/03\/12\/transcending-boundaries-and-checkpoints\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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