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patient stories

Ayesha Ahmad: ‘Unorthodox Sufferings; The face of the man’

7 Oct, 12 | by Ayesha Ahmad

I will remember the face of the man who I had not expected to see.

In suburban Johannesburg, the soil begins to turn into a rich gold color. The soil summons an enticing depth to the earth, where as Jean-Luc Nancy (1994) writes, we find existence as the cradle between our birth and our death. From our footsteps, the ancestors rise and embody the agency of new life. There is life upon death, upon death.

And this life has a heart that is vivid; a pulsation that is energising; a sound that is lulling. The suffering grows within each person as if the heart is enlarging so not to feign life; a suffering that bleeds the brightest red to signify the liveliest dance.

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Ayesha Ahmad: Seminar June 20th 2012 on ‘Narrative Epileptology’ by Dr Maria Vaccarella, Kings College London

19 Jun, 12 | by Ayesha Ahmad

Dr Maria Vaccarella will present her ongoing research at an open seminar at the Centre for Health and Humanities, King’s College London.

Dr Vaccarella’s subject refers to the cultural history of epilepsy in the West, and narrative medicine applied to epilepsy care; creating a valuable insight into the interaction between health and the humanities.

The seminar will be held at 18.00-19.30 on June 20th at King’s College London (Strand Campus). All are welcome.

James Poskett: What to do with patients’ stories?

26 Dec, 11 | by James Poskett

Narrative is a hot topic in the medical humanities. It can also be bewildering. Over the years literary theory has helped to bring the relevance of patient’s stories to the forefront of medical practice. But, as Johanna Shapiro notes in her recent paper Illness narratives, critical approaches to such stories have also complicated the practical matter of listening and talking to patients.

http://mh.bmj.com/content/37/2/68.full more…

Ayesha Ahmad: “Stories are all we have”- reflecting on ‘An Imperfect Offering’ by James Orbinski

21 Nov, 11 | by Ayesha Ahmad

In ‘An Imperfect Offering’, a memoir written by James Orbinski on his travelling tales as a doctor working and bearing witness in some of the world’s most death-ridden and hostile regions, he writes of a man he met in Afghanistan who once said to him:

No scars, no story, no life. Sometimes, the best story is the space between the words – a space that is a window onto a different way of seeing. And when there are no easy answers, stories are all we have”.

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Khalid Ali: Film Review: Asmaa: Directed by Amr Salama: Star rating ****

3 Nov, 11 | by Deborah Kirklin

With annual World AIDS Day taking place 1 December, this new Egyptian film, which was shown at the recent London Film Festival, is very topical.

The subject of HIV in European and American cinema has of course been explored in many films (such as “Savage nights” (1992), “Philadelphia” (1993), “The Hours” (2002), and “Angels in America” (2003)). However depictions of HIV positive characters in Arab cinema have been scarce, characteristically portraying HIV patients as promiscuous sinners who deserve to be ill, or else as victims of an American conspiracy to spread HIV infection amongst young people in the Arab world. more…

James Poskett: Storytelling in the theatre

18 Aug, 11 | by James Poskett

Telling the Patient’s Story details a theatre company’s attempts to develop medical students’ case presentation skills. Workshops, covering everything from improvisation, personal monologues and body language, had a marked effect on the students, with all participants agreeing that the training improved their delivery of patient histories.

http://mh.bmj.com/content/37/1/18.abstract

So, the arts and humanities can help medical students improve their case presentation skills thereby, in theory, benefitting future patients. Sounds like convincing evidence of the value of the humanities within the medical curriculum. Everyone happy? Well, not quite. One student offered the following feedback:

“[There is] too much focus on how this relates to medicine. We will realise that later.”

more…

MASK:MIRROR:MEMBRANE-A Deborah Padfield Exhibition, London 6-16th July 2011

15 Jun, 11 | by Deborah Kirklin

Here’s one for your diary, an exhibition of images by Deborah Padfield, in collaboration with patients & clinicians at University College London Hospitals NHS Foundation Trust, entitled Can you see Pain? Anyone who knows Deborah’s work from her previous exhibition and book entitled Perceptions of Pain won’t want to miss this.

http://www.dewilewispublishing.com/PHOTOGRAPHY/Perceptions.html more…

The Drama of Medicine-All the Ward’s a Stage: 8th Annual AMH Conference, 11-13 July 2011, University of Leicester,UK

13 Jun, 11 | by Deborah Kirklin

Plans for the 8th annual conference of the Association for Medical Humanities are now well underway, with an exciting line up of papers, workshops and plenary speakers. Celebrated poet and doctor Dannie Abse will be running a session entitled Poet in a White Coat; Jed Mercurio, author of Bodies and creator of the TV series Cardiac Arrest, will speak on the Doctor as Antihero;  Professor Laurie Maguire, from Magdalen College Oxford, will explore Shakespeare’s guide to health and illness; and Matthew Alexander from North Carolina, a leading authority on the use of cinema in medical education, will begin the conference with a workshop and plenary address on this subject. more…

2011 International Symposium on Poetry and Medicine

17 May, 11 | by Ayesha Ahmad

I recently attended the 2nd Annual Hippocrates Poetry and Medicine Symposium, which was held at Warwick Medical School and hosted by Professor Donald Singer and Associate Professor Michael Hulse. During the day, a group of researchers and clinicians from a variety of backgrounds gathered to explore the role of poetry in the discourse of medicine, including renowned poets, Marilyn Hacker and Gwyneth Lewis.

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Dr Arati Bhatia describes her own humbling experience with cancer and chemotherapy

10 May, 11 | by Deborah Kirklin

The drainage tube and the negative pressure bag were my constant companions for sixteen days. I was not always respectful of them, even bouncing them around occasionally. I had an intense sense of relief when we were finally parted. They had served their function well. The wound had healed, and there was no collection or infection. Cosmetically, it was a job well done.

Post-mastectomy the strangest sensation was the lack of it. My elbow was numb. I had been unaware of the importance of my elbow to my wellbeing. Now I am reminded every day of what has happened. The operated arm must enter the shirtsleeve or blouse before the normal one. Earlier I had never given much thought to this. Suddenly you are more aware of your own body and its vulnerability. more…

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